Leonardo DiCaprio Quentin Tarantino's Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age creator - Quentin Tarantino Genres - Comedy duration - 161 min

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It's opening weekend for Tarantino's latest blockbuster, and the controversy-courting auteur is already in hot water. Quentin Tarantino at Cannes 2019 Petros Giannakouris/AP/Shutterstock It’s opening weekend for Quentin Tarantino ’s “ Once Upon a Time in Hollywood, ” and the controversy-courting auteur is already in hot water. PETA ’s Cruelty Investigations Department has issued an official statement regarding what it perceives as mistreatment of the pit bull terrier featured in the film: “Pit bulls are the most abused and abandoned animals in dogdom, and in one thoughtless swoop, Quentin Tarantino has done much to exacerbate the situation by getting dogs from a notorious breeder for ‘Once Upon a Time in Hollywood. ’ Pit bulls are chained, caged, neglected, starved, beaten, and even set on fire and fought to death. And like the dogs featured in this movie, their ears are often mutilated for a ‘tough’ look. Irresponsible portrayals like this are part of the reason why pit bulls flood our nation’s shelters. While the humane community is doing all that it can to help these animals — primarily, by shutting down the pit bull breeding industry — Tarantino has set them back. Shame on him. ” Tarantino’s reps have yet to respond to IndieWire’s request for comment. Making her screen debut in “Once Upon a Time in Hollywood, ” the dog in question, named Sayuri, hails from Delaware. In the film, she plays Brandy, the pet pooch of Brad Pitt’s stunt-double Cliff Booth. At the 2019 Cannes Film Festival, Sayuri received the Palme Dog Award, which has previously gone to the likes of Uggie from “The Artist, ” the fox from “Antichrist, ” Dug in “Up, ” Wendy from “Wendy and Lucy” and Moses from “Dogville, ” among other screen canines. In the film, Brandy proves to be Cliff’s sidekick in more ways than one. Tarantino intended Brandy as a callback to the movie dogs of yore, when canines with seemingly preternatural abilities came to the rescue in moments of peril (a la Lassie). Accepting the Palme Dog on Sayuri’s behalf, Tarantino said, “When I was editing the movie I realized, she’s a great actress. I actually started seeing things in her face when I was cutting it together that I didn’t see on the day, so whatever little difficulties we had on set just really melted away when I saw what a great performance she gave. ” Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

Tarantino goes out with a whimper in this slow pointless movie. Published on Aug 23, 2019 Mark Kermode reviews Once Upon A Time… in Hollywood. In 1969, Hollywood actor Rick Dalton struggles to deal with his fading stardom while his neighbour on Cielo Drive, actress Sharon Tate, revels in her burgeoning success. Meanwhile Rick’s loyal stuntman and gofer, Cliff Booth, encounters an unusual community living out on nearby Spahn Ranch. Please tell us what you think of the film -- or Mark’s review of the film. We love to include your views on the show every Friday. If you like this, why not subscribe to our podcast for more reviews, interviews and general wittering of the highest order:... Twitter: @Wittertainment Fridays at 3pm on BBC 5 live.

H ow you respond to Quentin Tarantino’s dazzling elegiac fairytale Once Upon a Time in Hollywood may depend on how much you like old guys, people who see how the changing of the guard is leaving them behind, who are beginning to reckon with the ways their bodies will betray them, who have seen their profession change so much that they can barely keep a toehold in it. You’ll also need some affection for Los Angeles, past and present, for the way, unlike other American cities, it keeps its ghosts around for a long, long time: They’re poured into martini glasses at Musso & Frank, or they rush like a traveling breeze alongside the mosaic tiles of LAX’s Terminal 3. You don’t have to remember every television show— Mann ix, The FBI, Bonanza, The Green Hornet —from 1969, when the film is set. Just recognize that pop culture used to be a very different creature: In the old days it didn’t come to you, parceled out in personalized packets via earbuds; you had to come to it, yielding first to its time slot and then to its charms. That, or wait for the rerun. It also helps to have some feeling for the tragedy of one fledgling movie star who was murdered almost before anyone could get to know her name: Sharon Tate, the pregnant wife of Roman Polanski, was stabbed to death in Benedict Canyon by members of the Manson family on August 8, 1969, along with three friends, celebrity hairstylist Jay Sebring, aspiring screenwriter Wojciech Frykowski and coffee-fortune heiress Abigail Folger. (Polanski was in London working on a film. ) Tate had done some TV and a handful of movies at the time of her death; as an actor, she was winsome and elegant at once—her beauty was delicate without being fragile, and she seemed to have a sense of humor about how unreally gorgeous she was. The career she didn’t have is itself a kind of ghost, and you can occasionally feel it rustling through Tarantino’s movie: It is, above all, a Valentine to her. Once Upon a Time in Hollywood is Tarantino’s most affectionate movie since Jackie Brown (1997), the picture that remains—the idolatry surrounding Pulp Fiction notwithstanding—his masterpiece. Tarantino is at his best when he’s motivated by affection, and for that reason, Once Upon a Time in Hollywood ranks among his finest; the serrated bitterness of his last picture, The Hateful Eight, has vanished. This is a tender, rapturous film, both joyous and melancholy, a reverie for a lost past and a door that opens to myriad imagined possibilities. Like all of Tarantino’s movies, it’s filled with references you may or may not get: There are woolly, rambunctious Jack Davis caricatures from MAD magazine, nods to blond dream girls like Joey Heatherton and Anne Francis, allusions to the brutally electric spaghetti westerns of Sergio Corbucci. But what you don’t recognize, you can Google; new worlds await. This is a welcoming picture, not an alienating one, an open door into a vanished world that still feels vital. You could also look at it as Tarantino’s own Wild Bunch, a story of outmoded gunslingers getting their last blast of glory. Leonardo DiCaprio and Brad Pitt play Rick Dalton and Cliff Booth, a fading TV star and his longtime stunt double, two aging guys who have practically grown up together. They were in clover when Rick was a ’50s TV star, on a western series with a jaunty horse-trot of a title, “Bounty Law. ” But those days are gone, and Rick has been relegated to playing the heavy in random TV episodes. There’s not much for Cliff to do but to drive Rick around and keep him company, though if he occasionally shows glimmers of resentment toward his more famous pal, the loyalty between the two is unshakable. (Cliff, as the movie’s unseen narrator puts it, is “more than a brother and a little less than a wife” to Rick. ) Brad Pitt stars in Columbia Pictures Once Upon a Time in Hollywood" Andrew Cooper—CTMG, Inc. Cliff is also the more well-adjusted of the two, even though he has less money and less status than his TV-star friend. Rick lives in a comfortably appointed house on Cielo Drive—his new neighbors, renting the house next door, are newlyweds Tate and Polanski. Cliff lives in a disheveled trailer with a pit bull named Brandy, a sweetie-pie with a satin-gold coat and jaws of steel. But while Rick is rattled by insecurity over no longer being a leading man—he cries in gratitude when a pint-sized but ineffably wise young actor compliments him on a brief scene—Cliff takes everything in stride. He tools around the city and its environs, wearing a Hawaiian shirt as if it were a tuxedo—all of his class comes from the inside. He keeps seeing the same hippie girl around town, an underage cutie in tiny cutoff shorts and an even tinier crocheted top, a fringed suede bag swinging around her hips. She’s always hitchhiking, and one day, he offers her a lift. This strange, zonked-out girl (her name is Pussycat, and she’s played by Margaret Qualley), is part of the new generation that’s taking over Rick and Cliff’s world like a pernicious weed. She asks him to take him to Spahn Movie Ranch, a site formerly used in the making of movie and TV westerns. Now it’s a commune headed by charismatic sicko Charles Manson. Cliff doesn’t yet know that, but he remembers the ranch from its earlier days. The old world has merged with a new, more sinister one. Throughout Once Upon a Time in Hollywood, fiction and fact meet; sometimes they criss-cross and hurtle in opposite directions. But the setting always feels bracingly real: Tarantino’s 1969 Los Angeles is a dreamland of multi-hued bar and restaurant signs—in a lovely sequence, they blink on one by one at twilight, just as actors all around town are leaving their jobs for the day and moving toward that beckoning after-work drink. (The film, every frame of it stunning, was shot by veteran cinematographer and Tarantino regular Robert Richardson. ) As the story’s mood turns dark, the recording of “California Dreamin’” you hear on the soundtrack isn’t the Mamas and the Papas’ creamy, sunset-flavored version, but a more foreboding one by José Feliciano, the sound of vultures circling. There are moments in Once Upon a Time in Hollywood that are purely terrifying. The movie’s tone shifts drastically during the finale, a sequence marked by ruthless, cartoonishly orchestrated violence—somehow it doesn’t fit, almost jolting the picture out of whack. But the movie’s final moment sets everything right, gently, a grace note of serenity in the context of an all-too-mad reality. Pitt and DiCaprio are marvelous together, and though neither are what any of us should call “old, ” their faces, once as flawless as airbrushed high-school portraits, have now achieved a more weathered perfection. DiCaprio’s Rick looks mischievously boyish, though you can’t help noticing the tiny crow’s feet marking the skin around his eyes, etched there by dried-up work and dwindling bank accounts—there’s an alluring, Robert Ryan-style weariness about him. And Pitt is superb, striding through the movie with the offhanded confidence of a mountain lion who knows his turf. This is swagger freed from self-consciousness; Cliff was groovy before the word was invented. Margot Robbie as Sharon Tate in Quentin Tarantino's Once Upon A Time... in Hollywood. Andrew Cooper—ANDREW COOPER But Once Upon a Time in Hollywood really belongs to one person, a figure who gets less screen time than either of the male leads but who fills the movie with light even so. Margot Robbie plays Sharon Tate, and in the movie’s most stunning sequence—set sometime in February 1969—she comes upon a theater, the Bruin, that’s showing her most recent film, The Wrecking Crew, one of those absurd Matt Helm spy joints starring Dean Martin. She goes up to the box-office booth to buy a ticket—and then it occurs to her that if she explains to the ticket girl that she’s actually in the film, she might be able to get in for free. It works! She slips on a pair of oversized, owlish eyeglasses and sits down to watch her own image flash on the screen. There’s no vanity or self-congratulation in her expression, only curiosity and an almost mystical kind of fascination, as if she were observing a deer in the forest. She waits to see if the audience laughs at one of her funnier lines—they do. She mimics the martial-arts movies her character executes on-screen, her hands slashing and dipping through the air, her muscles remembering what it was like to learn the routine. Margot Robbie as Sharon Tate is watching, as we are, the real-life Sharon Tate playing a character in a movie. But for us, the two have blended into one person, a young woman, recently married—does she even yet know she’s pregnant? —who has everything to look forward to. In real life, no one could save Sharon Tate. With Once Upon a Time in Hollywood, Tarantino and Robbie restore life to her. The magic spell lasts only a few hours. But no one has ever brought her closer to a happily ever after. Get The Brief. Sign up to receive the top stories you need to know right now. 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Watch Once Upon a [1080p]… Ipad once upon a time. in hollywood Watch once upon a time. in hollywood Full Online. The story about a fading superstar and his stuntman wanting to revive their careers in the last moments of Hollywood's golden age is an awesome one. The cinematography is amazing, probably the best I've seen this year. The acting and music was amazing as well. There are a lot of scenes which may feel long and unnecessary but the payoff is well deserved. We're so conditioned as the audience to believe that action or something of significance needs to happen in every single scene in a movie, all while significantly rushing it, but this film shows that you can have slow-entertaining buildups with good execution. Sure, the scenes with Margot Robbie's character felt like a waste; it's really the only thing I disliked. The duo between Rick Dalton and Cliff Booth was amusing, natural, and overall dope. And man that ending, that ending was sick.

What is the song at the end of the film when Rick torches Sadie in the pool. Almost sounded like bernard herrmann song but haven't found it anywhere. spent an hour searching through wikipedia to find it. Found every song but it. Maybe unrelreased? There is a song in this movie that has a long rolling of an R before the band joins in with the singer (drums kick). I've been searching for it for years. I think it plays when Cliff is in his car? There is a song that is in the second movie trailer as sharon tate is sitting down. There is a dude with white hair wearing a red jumpsuit i think singing it. Sounds like a good song but I have no clue how to find it What is the song at the end of the movie right before the Batman theme song? What's the song that plays when you first see Sharon and Roman driving to the house? It's mostly just shots of them driving around, she's wearing this headscarf kind of accessory, then Rick makes the comment about them moving in, how they're just renting when "Hollywood's a place you stay in" What's the song during the stand-off scene in Lancer--only an organ playing. Might just be part of the original score unreleased. Who did the cover of “Out of Time” by The Rolling Stones? What is the piece of music at the very end where Rick meets Sharon and Jay? It sounds like Ennio Morricone. Does anyone know what the name of the song is that's playing just as The Wrecking Crew scene comes on with the real sharon tate bumping into dean martin and falling over? I think the song is coming from the actual Wrecking Crew movie but I've listened to all the songs that I can find listed in that movie and can't find it!!! Comes on at about 1:05:10 Does anyone know what's the name of the song that plays after Sharon leaves the cinema, after watching herself on the screen? Thank you. What song was Rick singing in swimming pool during the attack? There was 40 50 60 70 and 80 men killed or sth like that. What's the song that Cliff turns on super loud while he's high and wakes Francesca up? What song is playing when Rick is heading back on set after his freak out in the trailer? I thought I heard a Young Rascals song briefly in the background, as Brad Pitt leaves the Spahn shack with Bruce Dern. I think it was Love Is a Beautiful Thing. Anybody else..?!? What was the name of the song that’s playing when rick goes outside to make the Manson family get off his street What is the name of the song that the Manson Family was singing when they were dumpster diving? There was a song or tune or sample that he used in this film and I swear it was one he used before in his films. Does anyone know what I'm talking about? There was a song in the movie called Summertime that was not on the Soundtrack - who sang it? The song that plays whiles they're shooting the scene in Lancer, under the "Play her little chili pepper heart out" dialog. Sounds like a nylon string guitar. Cant find it anywhere Does anyone know the name of the song playing on the tv when Cliff pulls up in his car to the Manson house? what is the name of the song that plays about 100-120 minutes in the movie in a car??? What is the First song used when Cliff gets into his own car and drives fast down the hill after dropping Rick off? It's a small snippet of the song. Could possibly be aversion of California Dreaming - but certainly not the version on the OST album. I've heard it before and its driving me mad trying to remember what it is. What was the songs when Cliff drives home as fast as he in in the beginning of the movie? There were a few. What song and record does Sharon put on while she’s in the house folding clothes and while Cliff is fixing the antenna?? I hope someone answers as I'm super late to the comments! I've seen no mention of the song ANYWHERE and I can't hear clear enough to find the lyrics online. The scene immediately after Cliff finishes talking with George. Then stands at the porch for a few seconds. There's a song playing in the background. I hear "makes you crazy" but I can't find it What’s the song that plays when Tex is riding back to the ranch from the horse trail to try and confront Cliff? It’s like a really catchy western twang beat.

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Once Upon a Time... in Hollywood - by Brown Karen, June 10, 2020

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